Out of fog and into American homes comes Bulldog Drummond. This originally hardboiled detective becomes something else when radio gets a hold of him. This run starred Ned Wever (right).
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Out of fog and into American homes comes Bulldog Drummond. This originally hardboiled detective becomes something else when radio gets a hold of him. This run starred Ned Wever (right).
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Morton Fine and David Friedkin were scriptwriters who were all over the radio spectrum in the forties and fifties before they moved to television. A look at how writers worked and seemed to carry common themes and style no matter the genre ending in an episode of the Fine/Friedkin scriptwork: Broadway Is My Beat starring Larry Thor (right).
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From out of the pulps comes Nick Carter, Master Detective! This week “another case for that most famous of all man hunters – the detective whose ability at solving crime is unequal in the history of detective fiction – Nick Carter, Master Detective.”
The character of Nick Carter goes back to 19th century detective stories as one of the staples of early Street & Smith publishing. Nick Carter may be the most published character in American fiction. By the time radio got a hold of him, the character had evolved into a private investigator. Starring Lon Clark (right) for the whole series.
I’ll look a little at the history of this pulp character and the strange ride he took over the last 100 years! This week’s episode: “The Echo of Death. “
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This week a look at one of the longest running detective series on radio. Mr. Keen, Tracer of Lost Persons was in some ways not much more than a light drama produced by the soap drama factory of Frank and Anne Hummert. Yet, it had its share of crime and death. It was also extremely popular in its day and often remembered by many youngsters who listened to radio at the time.
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This week I am returning to Yours Truly, Johnny Dollar. It was a different series during the Edmond O’Brien (right) years – a radio noir! I’ll look at O’Brien’s role in the series.
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Jeff Regan, Investigator saw its birth in July 1948 on CBS. The aural gimmick in the opening was that Regan worked for an international investigation firm run by Anthony J. Lyon. The series proclaimed him “The Lion’s Eye.” The owner, Anthony J. Lyon, played by Wilms Herbert with a voice sounding like a rather large man, would send his prime investigator into environments reminiscent of a film noir. Webb portrayed his character in a very hardboiled fashion who often found himself getting beat up or captured before he would ultimately bring the crimes to a conclusion.
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The original characters were created by Jack Boyle, who first published a short story in “The American Magazine” in 1914 called “The Price of Principle.” Boyle went on to write several more Blackie stories that were collected into a book of short stories in 1919. The character as created by Boyle was a bit more hardened than the radio version.
Chester Morris whose fame grew from the B film versions that most people are familiar with, agreed to star as Blackie on radio. The radio version began as a summer replacement for Amos n Andy on NBC in June 1944. It too was sponsored by Rinso Soap. When the series ended in the fall it did not return.
However, in 1945, the Frederick Ziv company put up money for the series to be made. None of the original characters returned but instead Richard Kolmer, who some might know as the husband of columnist Dorothy Kilgallen stepped into the role.
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Petri Wines, which at the time sponsored the Adventures of Sherlock Holmes over the Mutual Network, wanted a similar program to replace the show in the summer of 1946. The current writers of the Sherlock Holmes adventures, Denis Green and Anthony Boucher, were asked to come up with another detective drama which would fit into the framework created for their Holmes series.
Gregory Hood, starring Gale Gordon, was a globe-trotting importer of antiquities, which gave him the urbane characterization and also provided a hook into the crimes he solved. During his working with antiquities, he often was pulled into the criminal aspect of the item he worked with. He was also often assisted by his attorney, Sanderon “Sandy” Taylor – a rather odd combination of crime solvers.
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When fiction writer Michael Arlen began writing it was the time of the “Roaring Twenties” and “the Jazz Age.” In 1940, he wrote a short story for Town and Country Magazine called “Gay Falcon” about a freelance adventurer and troubleshooter whose fullname was Gay Stanhope Falcon.
The story was immediately purchased by RKO for a film starring George Sanders as the Falcon released in 1941 as “The Gay Falcon.” The biggest differences from the original story was the de-emphasis of the hard boiled detective and the name became Gay Lawrence. Why he was called “The Falcon” in the films never fully became clear except perhaps for his keen ability to find trouble and kill it.
radio saw a successful franchise as a possible dramatic vehicle for its medium. In 1943 “The Falcon” radio series premiered over NBC Blue starring Barry Kroeger as The Falcon under yet another name – Michael Waring. He later was replaced by James Meighan, Les Tremayne, George Petrie and finally Les Damon.
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This week’s podcast will present a character from radio whose primary job was not an investigator, but rather an attorney who helped put criminals away. But radio audiences were already listening to Perry Mason. Yet even in that series, the element of investigation was paramount. This week I will present a woman, Martha Ellis Bryant, who was by vocation an attorney, but by reluctant circumstance, an investigator solving crimes.
The series as heard over ABC did not have its genesis there. It actually began on the NBC radio network under the title of “The Defense Rests.” The star of the both series was Mercedes McCambridge who had a very distinctive voice in radio.
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